Portfolio

Portfolio

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Floral design portfolio in Costa Rica

Camía’s portfolio is organized by type of project, not by date, so you can go straight to what looks like yours: an outdoor wedding, a lobby, a Christmas table.

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Red roses on gilded rods seen from above.

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Destination weddings and events

Ceremonies, long tables, round tables, and focal points. This section shows how the same palette behaves in a garden at midday and in a ballroom at night, and how wooden bases hold different heights within the same table.

Indoors and outdoors read differently: a garden at midday calls for volume and shade, a ballroom at night calls for height and contrast. Compare with the venue for your date, not with the prettiest photo.

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Green foliage arrangement with pine cones and red accents in a textured silver vase.

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Hotels and restaurants

Reception and table pieces designed to last the full cycle between changes. What matters here is less the effect in a photo and more how the piece looks on day five.

That’s why, in this section, it’s worth looking at the base as much as the flowers: it’s the part that stays when the arrangement is changed.

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Installation of roses on gilded rods along a display window.

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Offices and brand projects

Reception areas, meeting rooms, and event setups. This section shows the studio’s most restrained side: short palettes, clean volumes, and pieces that live with the architecture instead of fighting it.

We also do one-day installations—press events, launches, important visits—where the space has to be back to normal the next morning.

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Tree with pampas plumes, moss and natural botanicals in the Casona at Nekajui.

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Christmas

Wreaths, garlands, and complete tables. It gets its own section because it’s the season when the difference between decorating and composing shows most.

Seasonal greenery, pine, raw wood, and texture. Red comes in only when the space asks for it, not because of the calendar.

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Vertical bark piece with pine cones, cinnamon and dried fruit on a metal stand.

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Wood and pine

Bases, trays, and wooden pieces photographed on their own, without flowers. It’s a way to see the construction: the edge, the joinery, and the finish.

Each piece is designed for a specific project and can later be repeated in other dimensions.

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Pieces by Sylvia Jiménez

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Rolex Costa Rica and Nekajui, a Ritz-Carlton Reserve

Pieces by Sylvia Jiménez

Rolex Costa Rica and Nekajui, a Ritz-Carlton Reserve

How to read the images

Each project comes with a short fact sheet so you can compare it with yours without having to ask.

None of the sheets includes a price: two installations that look alike can cost differently depending on the date, the flowers available, and the venue.

If you saw something similar to yours, we already have a place to start. And if you didn’t, even better: it means it’s waiting to be drawn.